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The band was founded in 1994 as a three piece: Joey Eppard on guitar and lead vocals, Josh Eppard on drums and Chris Bittner on bass. They came to the attention of Universal Records after well-received performances at the Woodstock festival in 1994, eventually getting signed in 1998, but following an unstable relationship with the label through its series of corporate mergers, the band was ...
For narrative or evocative popular music, please see Concept Album. Any discussion of program music brings to mind Walt Disney's animated features Fantasia (1940) and Fantasia 2000 (1999), in which the Disney animators provided graphic visualisation of several famous pieces of program music. However, not all the pieces used in the films were ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Also "bar": the period of a musical piece that encompasses a complete cycle of the time signature (e.g. in 4 4 time, a measure has four quarter note beats) medesimo tempo Same tempo, despite changes of time signature medley Piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. melancolico ...
Music critic Kyle Gann called the piece "one of the most misunderstood pieces of music ever written and yet, at times, one of the avant-garde's best understood as well". He dismissed the idea that 4′33″ was a joke or a hoax, wrote that the theory of Dada and theater have some justification, and said that for him the composition is a ...
Three-piece may refer to: Three-piece suit; Three-piece suite; Trio, three-piece band or act, a musical ensemble of three performers, for example as: Jazz trio; Organ ...
Satie composed the Trois morceaux en forme de poire in Paris between August and November 1903, during a period of creative crisis. He was unhappy earning a meager living writing and performing cabaret music, and had abandoned his recent "serious" musical projects - the piano piece Le poisson rêveur (1901) and the orchestral tone poem Le Bœuf Angora (c. 1901) - as failures. [2]
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