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An example which illustrates the problem might be Liszt's "La Notte", the second piece of the Trois Odes funèbres. Projected 1863 and achieved 1864, "La Notte" is an extended version of the prior piano piece Il penseroso from the second part of the Années de pèlerinage. According to Liszt's remark at the end of the autograph score, "La Notte ...
1st version of S.74/2 74/2 M27 Das deutsche Vaterland II (Was ist das deutsche Vaterland?) mch C major 1848 Choral, secular 2nd version of S.74/1 75/1 M12/1 Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) mch 1842 Choral, secular No.3 of Vierstimmige Männergesänge; 1st version of S.75/2, S.75/3 75/2 M12/2
Liszt, Franz. Fantasia and Fugue on Ad Nos, ad salutarem undam; Prelude and Fugue on B-A-C-H; Évocation à la Chapelle Sixtine; Variations über Weinen, Klagen, Sorgen, Zagen (organ arr. of piano piece) William Lloyd Webber (1914–1982) Chorale, Cantilena and Finale; Three Recital Pieces (1952) Aria, 13 Pieces; Reflections, 7 Pieces; Eight ...
Two Concert Études (Zwei Konzertetüden), S.145, is a set of two piano works composed in Rome around 1862/63 by Franz Liszt and dedicated to Dionys Pruckner, but intended for Sigmund Lebert and Ludwig Stark’s Klavierschule. [1] [n 1] [2] It consists of two parts: "Waldesrauschen" (Forest Murmurs) and "Gnomenreigen" (Dance of the Gnomes).
The first version appears in Liszt's set Album d'un voyageur (1834–1838), and the second in the first suite of Liszt's Années de pèlerinage (1836–1855). The last version is almost identical to the second, except for the final nine bars, which were added by Liszt as a coda for his Italian piano student Giovanni Sgambati , who was also a ...
Edited by world-renowned Liszt expert and concert pianist Leslie Howard, the edition also contains Liszt's original fingerings. Dover Publications has issued a complete edition in one bound volume. Also included is an appendix of related works including Lyon (from the first book of Album d'un voyageur), Apparitions, Tre sonetti del Petrarca ...
The Transcendental Études (French: Études d'exécution transcendante), S.139, are a set of twelve compositions for piano by Franz Liszt.They were published in 1852 as a revision of an 1837 set (which had not borne the title "d'exécution transcendante"), which in turn were – for the most part – an elaboration of a set of studies written in 1826.
The musicians did not complete the piece on time, but the concert was held as scheduled. The concert's highlight was a piano "duel" between Thalberg and Liszt for the title of "greatest pianist in the world." Princess Belgiojoso announced her diplomatic judgment: "Thalberg is the first pianist in the world–Liszt is unique." [2]