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Donaldson, Frances, The Royal Opera House in the Twentieth Century, Weidenfeld & Nicolson, London, 1988. Earl, John and Sell, Michael Guide to British Theatres 1750–1950, pp. 136–8 (Theatres Trust, 2000) ISBN 0-7136-5688-3. Haltrecht, Montague, The Quiet Showman: Sir David Webster and the Royal Opera House, Collins, London, 1975.
One performance, staged in the Linbury Studio Theatre: Acte de Présence: Frederick Ashton: Pyotr Il'yich Tchaikovsky: 18 October 1984 Ashton created this work for himself and Margot Fonteyn. It was performed at the centennial gala of the Metropolitan Opera House, and at the Royal Opera House during a Gala Tribute to celebrate Ashton's 80th ...
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England.The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. [1]
Romeo e Giulietta (1983); TV broadcast of a stage production of Prokofiev's ballet adaptation from the Palazzetto dello Sport; directed by Rudolf Nureyev (Italy/UK) Romeo and Juliet (1984); TV broadcast of a stage production of Kenneth MacMillan's ballet to Prokofiev's score, from the Royal Opera House; directed by Colin Nears (UK)
The work debuted in New York City on 13 May 1984 and was presented at the Royal Opera House on 18 October 1984. [103] 1986 [1] The Sleeping Beauty: by Tchaikovsky The Queen Fonteyn performed the role in Miami, Florida, with the Birmingham Royal Ballet in February 1986. [1] 1988 [104] [105] Baroque Pas de Trois: female dancer
Flight Pattern is a contemporary ballet choreographed by Crystal Pite, set to the first movement of Henryk Górecki's Symphony No.3.It premiered at the Royal Opera House, London, on 16 March 2017, making Pite the first woman to choreograph for the Royal Ballet's main stage in 18 years.
Kenneth MacMillan's Royal Ballet production of Sergei Prokofiev's Romeo and Juliet premiered at the Royal Opera House, Covent Garden on 9 February 1965. [6] Though MacMillan had conceived the ballet for Lynn Seymour and Christopher Gable, for "bureaucratic reasons" Margot Fonteyn and Rudolph Nureyev danced the opening night, to MacMillan's disappointment. [7]
Chroma marks the second time Wayne McGregor choreographed for the Royal Opera House main stage, having previously created works for the Royal Opera House's Linbury Studio Theatre. [1] [2] According to McGregor, it was created within three weeks, with four to five hours of rehearsals each day. [3]