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Dangdut (/ d ɑː ŋ ˈ d uː t /) is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic, and, to a lesser extent, Javanese, Malay, Minangkabau, Sundanese and local folk music.
Koplo or dangdut koplo is a subgenre of dangdut, Indonesian popular dance & folk music, that originated in East Java during the early 2000s. The genre gets its name from the slang term "koplo" which refers to a hallucinogenic drug that is sold cheaply in Indonesia.
Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble. In Sundanese culture the term ngibing means "to dance", but it is indeed performed in particular Sundanese style, usually performed between male and female couple. In West Java, all ...
In 1961, Indonesian President Sukarno prohibited rock and roll and other Western genres of music and challenged Indonesian musicians to revive the indigenous arts. The name jaipongan came from people mimicking of the sounds created by some of the drums in the ensemble.
Kendang, instruments are to be made from the wood of jackfruit, coconuts or cempedak. Buffalo hide is often used for the bam ( inferior surface which emits low-pitch beats ) while soft goatskin is used for the chang ( superior surface which emits high-pitch beats ).
Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter. Celempungan is named for the celempung, a bamboo tube zither from West Java. [1]
The music of Sumatra, Indonesia, is characterized by dangdut and the use of rabab and saluang instruments.. The Sumatran Toba people are distinctive in their use of tuned drums to carry the melody in their music; this practice is very rare worldwide.
The kendang part is the most complex in gong kebyar, drawing from a rich lexicon of rapid-fire, syncopated patterns to fit the mood and progression of pitched music. The lanang drummer is responsible for filling in an appropriate interlocking part. Kendang players may sit facing the same way, wadon in front and lanang behind.