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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Left sheet of the triptych Hari-shigoto, Utamaro, multicolour woodblock print, c. 1794–95. Hari-shigoto (針仕事, "Needlework", c. 1794–95) is a colour triptych print by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 – 1806). It depicts women working with cloth at home with children playing around them.
Second Version of Triptych 1944 1988 Catalogue Raisonné Number 88-05 Oil and Aerosol Paint on Canvas 198 x 147.5cm (78 x 58 in) Tate, London The second version of Three Studies for Figures at the Base of a Crucifixion (1944). Painted by Bacon after the 1944 triptych was deemed too fragile to travel to New York for an exhibition. Triptych 1991 1991
As well as being Bacon's first large format triptych, Three Studies for a Crucifixion introduced the later and often repeated visual motif a human body turned inside out. This idea was drawn from a long tradition in art history, and was influenced strongly by Rembrandt's Side of beef and Chaïm Soutine's Carcass of Beef. [5]
Triptych of Takiyasha the Witch and the Skeleton Spectre, c. 1844, Utagawa Kuniyoshi (1797–1861), V&A Museum no. E.1333:1 to 3-1922. Takiyasha the Witch and the Skeleton Spectre or Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha (Japanese: 相馬の古内裏 妖怪がしゃどくろと戦う大宅太郎光圀) is an ukiyo-e woodblock triptych by Japanese artist Utagawa ...
Trinity Triptych; Triptych; Triptych Bleu I, II, III; Triptych Inspired by the Oresteia of Aeschylus; Triptych of the Annunciation; Triptych of the Madonna of Humility with Saints; Triptych of the Sedano family; Triptych with Scenes from the Life of the Virgin; Triptych with the Virgin and Child, Saints and Donors; Triptych–August 1972 ...