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Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.
Ephesians 6 is the sixth (and the last) chapter of the Epistle to the Ephesians in the New Testament of the Christian Bible.Traditionally, it is believed to be written by Apostle Paul while he was in prison in Rome (around AD 62), but more recently, it is suggested to be written between AD 80 and 100 by another writer using Paul's name and style.
It is considered to symbolise the "sword of the Spirit, which is the Word of God" (Ephesians 6:17); that is to say, the wearer's defending of the faith by smiting all that is impure and vicious. [ 2 ]
Knight, Death and the Devil, 1513, engraving, 24.5 x 19.1 cm. Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche (master prints) [1] completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings.
Exhibited at the Royal Academy of Arts in 1900, with the catalogue quoting Ephesians 6:11, "Put on the whole armour of God." [3] [4] Model of a figure from the nude: 1900: Displayed at the Victoria and Albert Museum as part of the 1900 National Competition of Schools of Art and Art Classes, where it won a gold medal. [5] Plaster relief: 1900
Ephesians 4:1–16. A chapter on unity in the midst of the diversity of gifts among believers. [22] Ephesians 4:17–6:9. Instructions about ordinary life and different relationships. [23] Ephesians 6:10–24. The imagery of spiritual warfare (including the metaphor of the Armor of God), the mission of Tychicus, and valedictory blessings. [24]
And if we recall that part of the "whole armour" mentioned in Ephesians is the "sword of the Spirit, which is the word of God," then Young Siward's "with my sword / I'll prove the lie thou speak'st" (V. vii. 10–11) is particularly pertinent. Macbeth, in league with the prince of lies, is to be tested by the sword which is truth.
In support of this Hamon cites Ephesians 6:17: "take the sword of the Spirit, which is the word (rhema) of God", and points to William Edwy Vine's An Expository Dictionary of New Testament Words that explains the passage "Here the reference is not to the whole Bible as such, but to the individual scripture which the Spirit brings to our ...