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Jesus' discourse with Nicodemus is related in John 3:1–21, [1] but not in the synoptic gospels. [2] For fear of the Jewish authorities a ruler in Israel, Nicodemus, one of the Pharisees, comes by night to see Jesus. Jesus explains to him that to enter the Kingdom of God, he must be born again of water
Scholar of placenames, researcher Rosamund Rodman, noted in a 2008 article that enslaved people who learnt to read generally did so in secret and at night, due to risks of punishment for this forbidden activity. The gospel's Nicodemus came to Jesus to learn from him, also in secret and at night, for fear of repercussions.
Later, Nicodemus became a follower of Jesus. [16] Nicodemus said he knew Jesus was "a teacher who came from God". [17] He then added: "For no-one could perform the miraculous signs he was doing if God were not with him." [18] They then discussed the need to be born again before being able to see the Kingdom of God [19] and where the spirit goes ...
Jesus talking to Nicodemus, depicted by William Hole. The first part of the chapter begins with Nicodemus, said to be a member of the ruling council, coming at night to talk with Jesus, whom he calls Rabbi. On account of Jesus' "miraculous signs", [3] Nicodemus and others ("we" in John 3:2) have recognized that Jesus is " a teacher come from God".
A 9th- or 10th-century manuscript of the Gospel of Nicodemus in Latin. The Gospel of Nicodemus, also known as the Acts of Pilate [1] (Latin: Acta Pilati; Ancient Greek: Πράξεις Πιλάτου, romanized: Praxeis Pilatou), is an apocryphal gospel purporting to derived from an original work written by Nicodemus, who appears in the Gospel of John as an acquaintance of Jesus.
According to the Gospel of Nicodemus, Joseph testified to the Jewish elders, and specifically to chief priests Caiaphas and Annas that Jesus had risen from the dead and ascended to heaven, and he indicated that others were raised from the dead at the resurrection of Christ (repeating Matt 27:52–53). He specifically identified the two sons of ...
As we embrace the multifaceted historical realities of Black History Month, it is not irony but ethnic reality that calls our attention to those passages of scripture in Mark 15:21 and Luke 23:26.
Rosso Fiorentino. Descent from the Cross. 1521.Oil on wood. 375 × 196 cm. Pinacoteca Comunale di Volterra, Italy.. The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19, John 19:38–42).