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A kosovorotka is a traditional Russian shirt, long sleeved and reaching down to the mid-thigh. The shirt is not buttoned all the way down to the hem, but has several buttons at the collar (unfastened when the garment is pulled over the wearer's head), though these are positioned off to one side (regional styles vary between left and right ...
Detail from Très Riches Heures du Duc de Berry. Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing ...
Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles). Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation ...
Traditional Serbian female dress consists of opanci, embroidered woolen socks that reached to the knees and nazuvice. Skirts were very varied, of plaited or gathered and embroidered linen, with tkanice serving as a belt. An important part of the costume were aprons (pregače) decorated with floral motifs.
Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...
Italian fashion of this period features broad bands of embroidered or woven trim on the dress and around the sleeves. [31] Siena, c. 1340. A bride wears a long fur-lined gown with hanging sleeves over a tight-sleeved kirtle, with a veil. Her gown is trimmed with embroidery or (more likely) braid.
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