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How Great Thou Art. " How Great Thou Art " is a Christian hymn based on an original Swedish hymn entitled " O Store Gud " written in 1885 by Carl Boberg (1859–1940). The English version of the hymn and its title are a loose translation by the English missionary Stuart K. Hine from 1949.
Messiah (Handel) Messiah (HWV 56) [ 1 ][ n 1 ] is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter [ n 2 ] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later.
Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the ...
B-flat major is a major scale based on B ... The scale degree chords of B-flat major are: ... Faschingsschwank aus Wien for piano, Op. 26;
How Great Thou Art is the eighth studio album by American singer and musician Elvis Presley, released by RCA Victor in February 1967. How Great Thou Art is a gospel album with slow numbers on one side, and fast-paced numbers on the flipside. The album earned Presley a Grammy Award for Best Sacred Performance, while it became a Billboard top 20 ...
B♭ (musical note) B♭ (B-flat), or, in some European countries, B, is the eleventh step of the Western chromatic scale (starting from C). It lies a diatonic semitone above A and a chromatic semitone below B, [1] thus being enharmonic to A ♯, even though in some musical tunings, B ♭ will have a different sounding pitch than A ♯.
Beethoven in 1818–19; portrait by Ferdinand Schimon [] (1797–1852); source: the Library of Congress. Ludwig van Beethoven's Piano Sonata No. 29 in B ♭ major, Op. 106 (known as the Große Sonate für das Hammerklavier, or more simply as the Hammerklavier) is a piano sonata that is widely viewed as one of the most important works of the composer's third period and among the greatest piano ...
At the position of the paramese, the continuity of the system encounters a boundary (at b-flat, b). To retain the logic of the internal divisions of the tetrachords and avoid the Meson being forced into three whole tone steps (b–a–g–f), an interstitial note, the diazeuxis ('dividing'), was introduced between the paramese and mese.