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Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.
The Prelude and Fugue in C minor, BWV 871, is a keyboard composition by Johann Sebastian Bach. [1] It is the second prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1738. [2]
The two major primary sources for this collection of Preludes and Fugues are the "London Original" (LO) manuscript, dated between 1739 and 1742, with scribes including Bach, his wife Anna Magdalena and his oldest son Wilhelm Friedeman, which is the basis for Version A of WTC 2, [34] and for Version B, that is the version published by the 19th ...
According to the Bach Digital website, the time of origin of Johann Sebastian Bach's Prelude in C minor, BWV 999, is unknown. [2] Based on Thomas Kohlhase [], the 1998 edition of the Bach-Werke-Verzeichnis indicates that the piece likely originated in Bach's Köthen period, that is, between 1717 and 1723. [3]
BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545) BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by Johann Tobias Krebs) BWV 546 – Prelude and Fugue in C minor; BWV 547 – Prelude and Fugue in C major ("9/8")
Twelve Little Preludes (French: Douze petits Préludes; German: Zwölf kleine Praeludien), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach and others.
Little Prelude in C major, BWV 933 played on a harpsichord by Gérard Janot. The C major prelude consists of two brief sections, repeated as a pair, followed by a variation on each section, again repeated as a pair. [3] The first segment demands complete independence of the right and left hands, with the left hand providing a busy accompaniment.
Of these, Applicatio in C major BWV 994 and Prelude in G minor BWV 930 are particularly notable because they are the only surviving works that feature the fingering in Bach's own hand (the only other Bach piece with fingering marks is the C major Prelude BWV 870a, however, the marks are not in Bach's hand).