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Starting in the 1970s, Carvin developed a niche in the musical instrument world by selling directly to the public via mail order. In the late 1970s, Carvin began the production of their own instrument parts and expanded their product lines to include professional audio gear, amps, recording equipment, lighting, and other stage and studio equipment.
Pages in category "Audio amplifier manufacturers" The following 82 pages are in this category, out of 82 total. ... Carvin Corporation; Classé ...
Vai's 2016 live guitar rig utilizes his signature Carvin Legacy amplifier (now on its third version), the Fractal Audio Axe-Fx II XL, and an MFC-101 foot controller. Depending on the location and venue, Vai will use either his Legacy I or Legacy III heads, and Carvin Legacy 4x12 speaker cabinets loaded with Celestion Vintage 30 speakers.
The 400 BH power amp module was used in a range of bass amps during the early 1980s, commencing with the MKIII Bass Head in 1979. The MKIV Bass Amp head unit, introduced in 1981, offers a range of functions. It is air cooled, features protection circuitry, and is capable of around 300/350 watts RMS safely into 2 ohms.
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
Blue Powder" was originally recorded in 1986 as a showcase track for Carvin, using their X-100B amplifier, and given away with Guitar Player magazine in flexi disc format. Vai was introduced to Carvin by his mentor Frank Zappa, who had also used the X-100B. The drums were subsequently re-recorded for the album. [6]
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Bob Carver used "distortion pots" to introduce amplifier characteristics, fine-tuned to null-out any sound differences. His modified amplifier sound was so similar, Stereophile Magazine editors could not tell the difference between his amplifier and one costing more than $6,000. [5] This amplifier was marketed as the M1.0t for about $400.00.