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An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1]Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
Opera buffa – Genre of opera characterized by light, humorous, and often satirical themes. Opera seria – Genre of opera with serious, often tragic themes. Semi-opera – Genre that blends spoken drama with musical interludes and elaborate staging. Oratorio – Large composition for orchestra, choir, and soloists, typically based on a ...
The mostly syllabic recitativo secco [A] ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through recitativo accompagnato (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be ...
In The Concise Oxford Dictionary of Music, it is defined as follows: stile rappresentativo (Italian, "In representational style"). Term used by early Italian composers of opera and oratorio to describe their new device of recitative, in which human speech was represented dramatically as in Peri's Euridice (1600) and Monteverdi's L'Arianna (1608 ...
European public funding to opera has led to a disparity between the number of year-round opera houses in Europe and the United States. For example, "Germany has about 80 year-round opera houses [as of 2004], while the U.S., with more than three times the population, does not have any. Even the Met only has a seven-month season." [71]
What is this Paul McCartney opera doing in the midst of a Cincinnati Opera season filled with much more traditional fare? 'This is the real thing.' The origin story of 'Paul McCartney’s ...
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
McCartney recorded and released a live album in 1991 called "Liverpool Oratorio" to celebrate the Royal Liverpool Philharmonic Orchestra's 150th anniversary. The upcoming opera is based on that music.