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The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
Selden Connor Gile (20 March 1877 – 8 June 1947) was an American painter who was mainly active in northern California between the early-1910s and the mid-1930s. He was the founder and leader of the Society of Six, a Bay Area group of artists known for their plein-air paintings and rich use of color, a quality that would later figure into the work of Bay Area figurative expressionists.
James Darrell Northrup Weeks (December 1, 1922 – January 3, 1998) was an American artist and an early member of the Bay Area Figurative Movement. [1] Unlike many artists in the movement, Weeks was never known for painting in a non-representational style, instead using abstraction in the "ideas of painting."
David Park (March 17, 1911 – September 20, 1960) [1] was an American painter and a pioneer of the Bay Area Figurative Movement in painting during the 1950s.
Bay Area Figurative Movement, abstract expressionism, Color Field painting, lyrical abstraction Richard Diebenkorn (April 22, 1922 – March 30, 1993) was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s.
Albert Dolmans was born in Breda, Netherlands on 20 November 1928, [1] but emigrated with his parents and grew up in Berkeley, California.He was awarded a scholarship to the California College of the Arts in Oakland, [2] studying under George Post, Karl Baumann [3] and Otis Oldfield.
Roland Petersen was a part of the Bay Area Figurative Movement—a mid-20th Century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s. [3]
By 1957, McGaw had moved more deeply into representational work and the handling of the human figure that would come drive his work for the next half-century. This energetic observational direction drew from the energy of the other Bay Area figurative artists active at the time including David Park (painter) and Elmer Bischoff. [3]