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A canon (Greek: κανών, romanized: kanōn) is a structured hymn used in a number of Eastern Orthodox services. It consists of nine odes , based on the Biblical canticles . Most of these are found in the Old Testament , but the final ode is taken from the Magnificat and Song of Zechariah from the New Testament .
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
In paragraph 46 of this document, it states that music could be played during the sacred liturgy on "instruments characteristic of a particular people." Previously the pipe organ was used for accompaniment. The use of instruments native to the culture was an important step in the multiplication of songs written to accompany the Catholic liturgy ...
A major contributor to the hymnal was Fr. Vasco do Rego SJ, who wrote many of the hymns. [ 2 ] [ 3 ] Gaionancho Jhelo originated as a booklet of hymns that Fr. Rego began composing in 1963. Other important contributors were Fr. Lourdino Barreto , Fr. Bernardo Cota , Fr. Saturnino Dias , Belarmino Lobo, Fr. Lino de Sa and Fr. Joaquim Loiola ...
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
Many educational authorities used the book, and the national character of Songs of Praise was established and the book was adopted by a number of churches. Education Authorities and others began to press for the inclusion of extra hymns. By 1929 the question of enlargement had become urgent, and a special committee was formed to do the work.