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A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
Folding screens would have common motifs such as dragons and sceneries. The folding screens are often decorated in a technique called khảm xà cừ (inlaying with crushed nacre). In Vietnam, folding screens have also derived into a type of architecture built in front of houses for protection and luck influenced by feng shui. [16] [17]
These folding screens would have been used exclusively by the aristocracy at first. This kind of folding screen provided privacy. Eventually, another use was found for the byōbu. Chinese and Japanese art styles, called kara-e and yamato-e were both used on the byōbu to create paintings. Usually these paintings were of people in verdant ...
Later screens used wood. Always exploring new materials, Slavin turned to laser-cut steel. Steel was a perfect material for ornamental fences, gates and sculpture in the unguarded public space. Her public work also consists of carved glass wind screens, cast concrete sculptures, terrazzo flooring, steel seating and colored polymer window films.
Screen painting is painting on window screens. It is a folk art form originating in immigrant working-class neighborhoods in Baltimore , Maryland , in the early 20th century. The wire screen section of a screen door is typically painted with bucolic landscapes , still lifes , or other subjects of interest.
A tsuitate (衝立) is a form of single-panel portable partition traditionally used in Japan since at least the 6th century. [1] They may be made of wood, or a wood frame covered in paper or silk cloth.