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Eyes in the Night is a 1942 American crime mystery starring Edward Arnold, Ann Harding and Donna Reed. Directed by Fred Zinnemann, it is based on Baynard Kendrick's 1941 novel The Odor of Violets. The film was followed by the sequel (also starring Arnold) The Hidden Eye.
It is the sequel to the 1942 film Eyes in the Night. The film stars Edward Arnold, Frances Rafferty, Ray Collins, Paul Langton, William 'Bill' Phillips and Thomas E. Jackson. The film was released on August 31, 1945, by Metro-Goldwyn-Mayer. [1] [2]
Rotten Tomatoes logo. On the review aggregator website Rotten Tomatoes, a film has a rating of 100% if each professional review recorded by the website is assessed as positive rather than negative. The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are ...
There's nothing that heals the soul quite like a great romantic comedy. They make us laugh, they make us cry, and they give us unreasonable expectations for a fairy tale ending, which we accept as ...
Later in the year, he released The Night Comes for Us based on a screenplay he wrote as an homage to Hong Kong 1980s cinema. [14] The film is the first Netflix original production from Indonesia [15] and received acclaim from critics with a 91% score on Rotten Tomatoes. [16]
On Rotten Tomatoes, the film holds an approval rating of 39% based on 149 reviews, with an average rating of 5.3/10. The site's critical consensus reads, "Secret in Their Eyes wastes its incredible cast on a remake that fails to improve upon—or even make a compelling case for its own existence in addition to—the remarkable original."
The Night Clerk holds a 36% approval rating on review aggregator Rotten Tomatoes, based on 45 reviews, with an average of 5/10. The website's critical consensus reads, "With a pair of charismatic leads struggling to enliven a poorly conceived story, The Night Clerk checks out early – and viewers may want to follow suit."
As date night fare, it’ll do. The script, by Phillip Murphy, Michael Kennedy and Christopher Landon (that last one directed the playfully vicious "Happy Death Day"), keeps its tongue stabbed ...