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8590 18317 Ensembl ENSG00000184933 ENSMUSG00000070417 UniProt O95222 n/a RefSeq (mRNA) NM_003696 NM_010983 RefSeq (protein) NP_003687 n/a Location (UCSC) Chr 11: 6.79 – 6.8 Mb Chr 7: 106.59 – 106.61 Mb PubMed search Wikidata View/Edit Human View/Edit Mouse Olfactory receptor 6A2 is a protein that in humans is encoded by the OR6A2 gene. It is Class II (tetrapod -specific) olfactory receptor ...
Gary Gene Watson (born October 11, 1943) [1] is an American country music singer. He is most famous for his 1975 hit "Love in the Hot Afternoon," his 1981 No. 1 hit "Fourteen Carat Mind," and his signature 1979 song "Farewell Party." Watson's long career has included five number one hits, [2] 21 top tens, and 48 charted singles.
Joe Diffie originally recorded the song on his 1993 album Honky Tonk Attitude.; Etta James recorded her own cover of this song for her 1997 album Love's Been Rough on Me.; Gene Watson recorded his cover of this song for his 2022 album Outside the Box.
Gene Watson is an American country music artist. His discography consists of 33 studio albums, eight compilation albums, 61 singles, and five music videos. Of his singles, 48 charted on the U.S. Billboard Hot Country Songs charts between 1975 and 1997, including the 1982 number one single "Fourteen Carat Mind".
"Love in the Hot Afternoon" is a song written by Vince Matthews and Kent Westbury, and recorded by American country music artist Gene Watson. It was released in May 1975 as the second single and title track from the album Love in the Hot Afternoon.
"Pick the Wildwood Flower" is a song written by Joe Allen, and recorded by American country music artist Gene Watson. It was released in June 1979 as the third single from the album Reflections . The song reached #5 on the Billboard Hot Country Singles & Tracks chart.
"Farewell Party" is a song written by Lawton Williams. Lawton also had the original recording in 1960. Little Jimmy Dickens recorded the song in 1961. It was also recorded by American country music artists Johnny Bush and Waylon Jennings, as well as Gene Watson.
Writing for Allmusic, music critic Steve Leggett wrote of the album "Watson brings his own considerable guitar and banjo skills to bear on this selection of folk and blues tunes. Doc's voice is as easy and as comfortable as an old fishing hat ... further proof of how Watson makes everything he touches fit into his personal and seamless tour of ...