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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
He also famously, in book X, condemned poetry as evil, being only capable of creating deceptive and ineffectual copies of real-world corollaries. [25] In his Poetics, Aristotle taxonomized ancient Greek drama [26] (which he called "poetry") into three subcategories: epic, comic, and tragic. Aristotle developed rules to distinguish the highest ...
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
Aristotle (384–322 BC) second book of Poetics, dealing with comedy; On the Pythagoreans [18] Protrepticus (fragments survived) Eudemus (c. 370 BCE – c. 300 BCE) History of Arithmetics, on the early history of Greek arithmetics (only one short quote survives) History of Astronomy, on the early history of Greek astronomy (several quotes survive)
The Oxford Book of English Verse [23] is an anthology of English poetry that had a very substantial influence on popular taste and perception of poetry for at least a generation. The Loeb Classical Library is a series of books, today published by Harvard University Press, which presents important works of ancient Greek and Latin literature in a ...
The question for the Chicago School (as it was for Aristotle) was always what the purpose of the theory of criticism was, what hypotheses were brought to bear by the theory about the nature of literature (for instance, whether it consisted of the words alone, or whether it was to be thought of as part of a larger context such as an era or an artist's life), and the definitions of words (such ...
In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry and drama (in the form of tragedy and comedy). [12] Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form.