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  2. Sound recording and reproduction - Wikipedia

    en.wikipedia.org/wiki/Sound_recording_and...

    Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording .

  3. Diaphragm (acoustics) - Wikipedia

    en.wikipedia.org/wiki/Diaphragm_(acoustics)

    Microphone diaphragms, unlike speaker diaphragms, tend to be thin and flexible, since they need to absorb as much sound as possible. In a condenser microphone, the diaphragm is placed in front of a plate and is charged. [2] In a dynamic microphone, the diaphragm is glued to a magnetic coil, similar to the one in a dynamic loudspeaker.

  4. Sound reinforcement system - Wikipedia

    en.wikipedia.org/wiki/Sound_reinforcement_system

    A typical sound reinforcement system consists of; input transducers (e.g., microphones), which convert sound energy such as a person singing into an electric signal, signal processors which alter the signal characteristics (e.g., equalizers that adjust the bass and treble, compressors that reduce signal peaks, etc.), amplifiers, which produce a ...

  5. Dynamic range - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range

    Audio engineers use dynamic range to describe the ratio of the amplitude of the loudest possible undistorted signal to the noise floor, say of a microphone or loudspeaker. [18] Dynamic range is therefore the signal-to-noise ratio (SNR) for the case where the signal is the loudest possible for the system. For example, if the ceiling of a device ...

  6. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The dynamic range capability of digital audio systems far exceeds that of analog audio systems. Consumer analog cassette tapes have a dynamic range of between 50 and 75 dB. Analog FM broadcasts rarely have a dynamic range exceeding 50 dB. [4] Analog studio master tapes can have a dynamic range of up to 77 dB. [5]

  7. Pop filter - Wikipedia

    en.wikipedia.org/wiki/Pop_filter

    In effect, the plosive's discrete envelope of sound energy is intercepted and broken up by the strands of the filter material before it can impinge on, and momentarily distort, the sensitive diaphragm of the microphone. Pop filters do not appreciably affect hissing sounds or sibilance, for which de-essing is used.

  8. Microphone - Wikipedia

    en.wikipedia.org/wiki/Microphone

    University Sound US664A dynamic supercardioid microphone. The most common unidirectional microphone is a cardioid microphone, so named because the sensitivity pattern is "heart-shaped" (i.e. a cardioid). The cardioid family of microphones are commonly used as vocal or speech microphones since they are good at rejecting sounds from other directions.

  9. Dynamics (music) - Wikipedia

    en.wikipedia.org/wiki/Dynamics_(music)

    In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.