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"Stockholm Syndrome" is a song by the English rock band Muse from their third studio album, Absolution (2003). The song was released as the album's first single on 13 July 2003 and also appears on the Absolution live DVD. It was released alongside its artwork as a download-only single through the official Muse website.
For the scene, the compositions also had different rhythms involving rock, classical music, pop, and samba, respectively. [93] Vivaldi and Italian Baroque specialists, La Serenissima (UK), "Winter" from the Manchester version of The Four Seasons [94] was sampled in a Beats by Dre advertisement. The eponymous heroine of Wednesday plays Winter at ...
Wikipedia talk:WikiProject Classical music/Archive 11; File talk:01 - Vivaldi Spring mvt 1 Allegro - John Harrison violin.ogg; Help talk:Media/Archive 1; Portal:Classical music/Selected article/Archive
Muse: 2003: E Standard: Muse 5-Song Pack: December 17, 2013 "Time Is Running Out" "Supermassive Black Hole" 2006 "Stockholm Syndrome" 2003: Drop D "Muscle Museum" 1999: E Standard "Memeshikute" Golden Bomber: 2009: E Standard - Lead/Rhythm; Bass - C# Standard Golden Bomber 3-Song Pack "Earphone" 2012: E♭ Standard "Death Mental" E Standard ...
"Stockholm Syndrome" (Blink-182 song), 2003 "Stockholm Syndrome" (Muse song), 2003 "Stockholm Syndrome", by Caroline Rose from the 2023 album The Art of Forgetting "Stockholm Syndrome", by Greydon Square from the 2010 album The Kardashev Scale
Amsterdam Guitar Trio is a classical guitar ensemble consisting of Johan Dorrestein, Olga Franssen and Helenus de Rijke, who met while they were students at the Sweelinck Conservatory (Sweelinck Conservatorium). [1] Their discography includes transcriptions for Antonio Vivaldi's The Four Seasons [2] and the Johann Sebastian Bach's Brandenburg ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The piece is a complete recomposition and reinterpretation of Vivaldi's violin concertos The Four Seasons. Although Richter said that he had discarded 75 percent of Vivaldi's original material, [ 1 ] the parts he does use are phased and looped, emphasising his grounding in postmodern and minimalist music .