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The Medici were still able to show their wealth on the exterior through their building material choices. The rusticated blocks soon became seen as a status symbol as the materials were costly and rare. They also, later, became a large part of power politics that was believed to have started with the Palazzo Medici Riccardi. [10]
Magi Chapel. The Magi Chapel is a chapel in the Palazzo Medici Riccardi of Florence, Italy.Its walls are almost entirely covered by a famous cycle of frescoes by the Renaissance master Benozzo Gozzoli, painted around 1459 for the Medici family, the effective rulers of Florence.
The Biblioteca Riccardiana is an Italian public library under the aegis of the Ministry of Culture, located inside the Palazzo Medici Riccardi at 10 Via de’ Ginori in Florence, in the neighborhood comprising the Mercato Centrale and the Basilica di San Lorenzo. Its main feature is preserving books collected by members of the Riccardi family ...
The Medici belonged to the Compagnia de' Magi, a Florentine confraternity based at the San Marco complex just by the Medici Palace, both of which Cosimo de' Medici rebuilt a few years before the tondo was painted. An annual procession on the feast of the Epiphany on January 6 was organized by the confraternity, and passed in front of the Medici ...
In addition to their country villas, the Medici also occupied the following buildings in Florence: Palazzo Medici Riccardi (1444–1540, then used by less important members of the family until 1659) Palazzo Vecchio (1540 - c.1560) Palazzo Pitti (1550–1738) Casino di San Marco; and the Villa Medici in Rome.
Gozzoli was born Benozzo di Lese, [a] son of a tailor, in the village of Sant'Ilario a Colombano around 1421. His family moved to nearby Florence in 1427. According to the 16th century Italian biographer Giorgio Vasari, Gozzoli was a pupil and assistant of Fra Angelico in the early part of his career.
In the first half of the sixteenth century, the villa became the property of the Salutati, who then sold the villa to Cosimo I de' Medici in 1544, who gave it to his son, Cardinal Ferdinando in 1568. Then from 1588, there was a decade of extensive excavation works which transformed the "stony" nature of the place (hence the name in Petraia ...
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