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Of the flatware patterns designed by F. A. Heller (1839–1904) for Gorham he wrote "we have no idea of the richness of ornamentation of these services, and of the amount of talent expended by him in the engraving of the dies which he has made on the other side of the Atlantic." [20]
Silver overlay items were never mass-produced and were made in limited numbers. The development of silver overlay was forged by a technical alliance between artists, artisans, and advances in chemistry, physics, electronics, and, ultimately, the industrialized techniques of the late 19th century.
Over the years, Towle has created numerous sterling silver flatware patterns in the United States: including the "Candlelight" in 1934, the "Marie Louise" in 1939, which became the official sterling silver pattern for U.S. embassies worldwide, "Old Master" in 1942, now considered by some to be the company's flagship pattern, and the "Contour ...
These patterns are called "Three Dimension" because the design of these patterns is apparent from the front, back, or profile. Each of these patterns remains popular; in particular, the Grande Baroque pattern remains a best-seller. In 1947, Warren wrote a book, published by Wallace Silversmiths, called "Wallace Beauty Moods in Silver" to ...
Items like Victorian-era mirrors, Art Deco dressers, or mid-century modern chairs can be resold for a pretty penny. Look for pieces with original finishes, intricate carvings, and minimal restoration.
Its Fairfax flatware was for some years the best-selling pattern in the United States. Other of the company's patterns included Bead, Chatham, Chrysanthemum, Cromwell, Dauphin, English Rose, Essex, Fairfax, Hunt Club, Iris, Lenox, Louis XV, Madame Royale, Marechal Niel, New Vintage, Orange Blossom, Sheaf of Wheat, Victorian/Sheraton, and Watteau.