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Play ⓘ Second factor (D), in red, of a C added second chord, C add2. Play ⓘ The 6/9 chord is a pentad with a major triad joined by a sixth and ninth above the root, but no seventh. For example, C 6/9 is C–E–G–A–D. It is not a tense chord requiring resolution, and is considered a substitute for the tonic in jazz.
Therefore, upper structures are most useful when the composer wants musicians to play a specific tension array. These are also commonly referred as "slash chords". A slash chord is simply a chord placed on top of a different bass note. For example: D/F ♯ is a D chord with F ♯ in the bass, and; A/C ♯ is an A chord with C ♯ in the bass.
An illustration shows a naive C7 chord, which would be extremely difficult to play, [50] besides the open-position C7 chord that is conventional in standard tuning. [ 50 ] [ h ] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is ...
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Hamlin would be become just the third driver with at least four Daytona 500 victories, and Byron is trying to become the first repeat winner since Hamlin pulled off the feat in 2019 and 2020.
Microsoft founder Bill Gates is telling his “origin story” in his own words with the memoir Source Code, being released on Feb. 4 "My parents and early friends put me in a position to have a ...
One of the main chord progressions in "Naked Eye" can be traced to the spring and summer of 1969 when the band was touring in support of the Tommy album. [1] [2] The three-chord riff (F6/9-Cadd9-G) was sometimes played during the group's very long and improvised versions of "Magic Bus" at that time, then later in expanded jams during "My Generation", as heard in the Live at Leeds version.
The song is built off a "simplistic" D-G-Cadd9 chord progression, which is ventured from during Guthrie's "soaring overdriven slide part." It contains "sparkling arpeggios" that emanate a "heavenly" aura, as its title would suggest. [2] Popdust noted how the title juxtaposes "two places that really couldn't be any more different from each other ...