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Nazi propaganda depicted Communism as an enemy both within Germany and all of Europe. Communists were the first group attacked as enemies of the state when Nazis ascended to power. [3] According to Hitler, the Jews were the archetypal enemies of the German Volk, and no Communism or Bolshevism existed outside Jewry. [73]
First propaganda film directed by Riefenstahl. Recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933. 8 December 1933: Flüchtlinge "Refugees" 87 min: Feature film: Gustav Ucicky: Hans Albers Käthe von Nagy Eugen Klöpfer Andrews Engelmann: 13 December 1933: Hans Westmar. Einer von vielen.
The film presents the story of a truck driver, Fritz Brand, who joins the Nazi Sturmabteilung to defend Germany against communist subversion orchestrated from Moscow.He persuades his social circle of the imminent danger and the need to support Hitler in the federal election.
Goebbels used the death of Horst Wessel (pictured) in 1930 as a propaganda tool [85] against "Communist subhumans". [86] By 1930 Berlin was the party's second-strongest base of support after Munich. [67] That year the violence between the Nazis and communists led to local SA troop leader Horst Wessel being shot by two members of the KPD.
Triumph of the Will (German: Triumph des Willens) is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles.
The cult of leader was evidenced in Nazi propaganda films by Leni Riefenstahl, such as 1935's Triumph of the Will, which Hitler ordered to be made.The film showed the 1934 Nuremberg Rally, which was attended by over 700,000 supporters, and is one of the first examples of the Hitler myth filmed and put into full effect during Nazi Germany. [27]
Banned in Nazi Germany due to fears it could inspire Marxism. [11] [12] 1933–1945 Ecstasy: Banned in Nazi Germany because of the erotic content. [13] 1933–1945 Mädchen in Uniform: Banned in Nazi Germany because of its lesbian theme. [9] 1933–1945 The Mad Doctor: Banned in Nazi Germany, because of the horror atmosphere in this Mickey ...
Prior propaganda short films, such as Abseit vom Wege (By the Wayside) and Erbkrank (Congenitally Ill), were made in support of the Nazi's euthanasia policies, but were meant for ideological education and not for public release. [5] Victor Brack convinced Tobis Filmkunst to produce a film about euthanasia after a public backlash to the policies.