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"No Surprises" is a song by the English rock band Radiohead, released as the fourth and final single from their third studio album, OK Computer (1997), in 1998. It was also released as a mini-album in Japan, titled No Surprises / Running from Demons. The singer, Thom Yorke, wrote "No Surprises" while Radiohead were on tour with R.E.M. in 1995.
In 2009, Radiohead released two non-album singles: "Harry Patch (In Memory Of)", a tribute to the last surviving World War I soldier Harry Patch, [21] and "These Are My Twisted Words", a free download. [22] Radiohead's eighth album, The King of Limbs (2011), emphasises the rhythm section with extensive samples and loops.
Dublin's River Liffey (pictured in 2007) was one of the sources of inspiration for the song. [2]One of the earliest songs written for Kid A (2000), [3] "How to Disappear Completely" was written primarily by the Radiohead singer, Thom Yorke, [4] [5] [c] during the tour for their third album, OK Computer (1997).
No Surprise may refer to: "No Surprise" (Daughtry song), 2009 "No Surprise" (Theory of a Deadman song), 2005 "No Surprise", a 1998 song by Ratt from the album Reach ...
After no singles were released from their previous album, Kid A (2000), "Pyramid Song" was Radiohead's first single since "No Surprises" (1998). It reached the top 10 on seven national charts, and was named one of the best tracks of the decade by Rolling Stone , NME and Pitchfork .
The Radiodread producer and arranger, Michael Goldwasser, said OK Computer had elements that were well suited to reggae, such as "strong melodies, intense dynamics and trippy soundscapes", but also uncommon elements such as complex time signatures and lots of chord changes.
This year, make your signature dish a festive brain teaser that no one has heard before. These riddles are just as funny as classic Thanksgiving jokes and can keep your family entertained for hours.
Radiohead has rarely performed "Let Down" live. After a 2006 performance, it was performed until it was the tour supporting A Moon Shaped Pool (2016). [5] The multi-track recording used in the studio version makes the song difficult to recreate live, especially with respect to the layering of multiple simultaneous vocal parts sung by Yorke.