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In 2000 clarinetist and entrepreneur Morrie Backun opened a small repair shop for woodwind instruments with two employees. After having been commissioned by J. Wesley (Wes) Foster, Principal Clarinet of the Vancouver Symphony Orchestra to overhaul one of his clarinets, Backun was unable to complete the project, as the original barrel of the instrument was missing.
A short sample of the sound of the bass clarinet Four modern short bass clarinets, from left to right Leblanc L400, Signet Selmer 1430P, E. M. Winston, Leblanc 330S Two short bass clarinets, on the right side made from boxwood. The bass clarinet is a musical instrument of the clarinet family.
Cork grease also acts as a preservative, keeping the wooden cork moist and thick, in turn ensuring a good seal between parts of the instrument so that no air may leak through the joints upon playing. Cork grease can help woodwind players adjust their instruments' tuning pieces (e.g. barrels, necks, bocals, staples) in respect to their pitch. [1]
The company was founded in 1996 as a company by the clarinet maker Werner Schwenk and the clarinet maker and clarinetist Jochen Seggelke, based in Tübingen and Bamberg. In 1998, the two production facilities were merged in Bamberg.
Frank Hammerschmidt is a clarinet manufacturer located in Burgau [1] in the Bavarian district of Günzburg, Germany. [2] Frank Hammerschmidt passed his master craftsman examination in 1991 [3] and is from the Hammerschmidt family which has been producing clarinets for generations. [4] These clarinets are well regarded by professionals.
Bok is also professor of free improvisation and has performed at several improvisation festivals (amongst others in Tallinn, Estonia). New Techniques for the Bass Clarinet (www.shoepair.com), which Bok wrote in 1989 (revised in 2011), is considered to be the standard work for instrumentalists and composers interested in extended techniques.
Instrumentation included strings, bass clarinet and percussion. The piece was recorded with the English Chamber Orchestra , on the album Farewell to Philosophy . It is a synthesis of jazz and classical chamber music, featuring resonant pizzicato notes and gut strings in imitation of Haden's bass sound.
Harry Sparnaay was musician-in-residence and gave masterclasses at several universities all over the world and was professor of bass clarinet and contemporary music at the Conservatory of Amsterdam for 35 years, where his unique bass clarinet program attracted students from all over the world, many of them prize winners of major competitions.