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L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records.It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer.
Weird Scenes Inside the Gold Mine is the second compilation album by American rock band the Doors (following 13) and the first following the death of singer Jim Morrison.A double album, it was released in January 1972.
According to music journalist Stephen Davis, Strange Days also proved to be the Doors' "worst-selling album" in their career with Morrison. [2] Sniffen Court, 150 East 36th Street, the location where the album cover was taken. The album cover of Strange Days, photographed by Joel Brodsky, depicts a group of street performers in New York.
"The Changeling" is a song by the American rock band the Doors. It appears as the opening track on their sixth album and final with Jim Morrison, L.A. Woman.Released in April 1971, as the B-side of "Riders on the Storm", the single peaked at number 14 on the Billboard Hot 100 chart.
The Doors' producer and longtime collaborator Paul A. Rothchild claimed to have painstakingly edited the album from many different shows to create one cohesive concert. According to Rothchild, the best part of a song from one performance may have been spliced together with another part of the same song from another performance, in an attempt to ...
Live in Detroit is a double CD live album by the American rock band the Doors. It was recorded at the Cobo Arena in Detroit on May 8, 1970 during the band's 1970 Roadhouse Blues Tour. It was released on October 23, 2000 on Rhino Records. [2] [3] The concert is one of the longest live performances by the Doors.
The Lost Paris Tapes is the title given to a recorded collection of unedited poems and songs by rock musician and poet Jim Morrison, lead singer of the Doors.Although Morrison intentionally made the recordings, they are considered bootlegs because they were never officially released to the public in their unedited form by Morrison or his heirs.
The lyrics also reference Redding's song "(Sittin' On) The Dock of the Bay."[7] Music critic Bart Testa found it ironic that this Doors song was extolling "The Dock of the Bay", which for Redding was a place of defeat and "where he wasted time having found the struggle for life useless", when earlier Doors songs such as "The End" and "When the Music's Over" call vehemently for revolution. [7]