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In 1730, Johann Gabriel Doppelmayr wrote of Denner: At the beginning of the current century, he invented a new kind of pipe-work, the so-called clarinet... and at length presented an improved chalumeau. [5] On the basis of this passage, Denner has been credited by many with the improvement of the chalumeau and the invention of the clarinet ...
Ebenezer Prout: Clarinet Sonata, Op. 26 (1882) [3] Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata ...
Donald Francis Tovey – Clarinet Sonata in B-flat major, Op. 16 (1906) [7] Charles Villiers Stanford – Clarinet Sonata, Op.129 (1911) [8] William Henry Bell – Clarinet Sonata in D minor (1926) [5] George Frederick Linstead – Clarinet Sonata (1932?) [5] Arnold Bax – Clarinet Sonata in D major (1934) [6] Mary Lucas – Clarinet Sonata ...
Jacob Denner (1681 – 1735) was a woodwind instrument maker of Nuremberg. He was the son of Johann Christoph Denner , improver of the chalumeau and credited with the invention of the clarinet . Jacob is also well known for his recorders [ 1 ] which have become the model for many modern instruments. [ 2 ]
Its structure follows the form of a fairly conventional sonata form. It is in the key of C minor. The clarinet and the cello are prominent, introducing the first and second themes respectively. However, all instruments are balanced well, and each instrument plays both themes, often in imitation.
The Clarinet Sonata in E ♭ major, Op. 167, was written by Camille Saint-Saëns in 1921 as one of his last works. This clarinet sonata is the second of the three sonatas that Saint-Saëns composed for wind instruments , the other two being the Oboe Sonata (Op. 166) and the Bassoon Sonata (Op. 168), written the same year.
The work is instrumented for clarinet (or violin) and piano. [6] It is in three movements: Adagio – Allegro; Adagio con moto; Adagio – Allegro non troppo – Prestissimo; Bert Hagels comments in his liner notes that much of the structure (but not the themes) in the first movement makes use of musical procedures which Beethoven pioneered in his Piano Sonata, Op. 53 and Symphony, Op.67.
The scoring of the Septet for a single clarinet, horn and bassoon (rather than for pairs of these wind instruments) was innovative. So was the unusually prominent role of the clarinet, as important as the violin. The Septet was one of Beethoven's most successful and popular works and circulated in many editions and arrangements for different ...