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A third- or fourth-order acoustic crossover often has just a second-order electrical filter. This requires that speaker drivers be well behaved a considerable way from the nominal crossover frequency, and further that the high-frequency driver be able to survive a considerable input in a frequency range below its crossover point.
This is the biggest advantage of L-R crossovers compared to even-order Butterworth crossovers, whose summed output has a +3 dB peak around the crossover frequency. Since cascading two n th -order Butterworth filters will give a (2 n ) th -order Linkwitz–Riley filter, theoretically any (2 n ) th -order Linkwitz–Riley crossover can be designed.
The output power of the two carriers (M1 and M2) increases by about 1 dB in each frame, while the 3rd order intermodulation products (D3 and D4) grow by 3 dB in each frame. Higher-order intermodulation products (5th order, 7th order, 9th order) are visible at very high input power levels as the amplifier is driven past saturation.
First-order RC filter low-pass filter circuit. Roll-off of a first-order low-pass filter is 20 dB/decade (≈6 dB/octave) A simple first-order network such as a RC circuit will have a roll-off of 20 dB/decade. This is a little over 6 dB/octave and is the more usual description given for this roll-off.
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
In electronics and signal processing, a Bessel filter is a type of analog linear filter with a maximally flat group delay (i.e., maximally linear phase response), which preserves the wave shape of filtered signals in the passband. [1] Bessel filters are often used in audio crossover systems.
As for "bringing the acoustic network in line with the crossover" - all it means is that the speaker's acoustic output is corrected for dips/peaks by using extra circuitry - the impedance equaliser is just one such in the scheme of things - the impedance equaliser makes the driver appear resistive to the crossover and the contour network simply ...
A first-order filter can alter the response of frequencies above and below a point. In the transition region the filter response will have a slope of up to 6 dB per octave. [a] The bass and treble controls in a hi-fi system are each a first-order filter in which the balance of frequencies above and below a point are varied using a single knob ...