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Woman in a Tub (or The Tub) is one of a suite of pastels on paper created by the French painter Edgar Degas in the 1880s and is in the collection of the Hill-Stead Museum in Connecticut.
The inside of the tub is frequently painted a light blue color, particularly if the statue is of Mary because of her association with this color. Somerville, Massachusetts , a city which has traditionally had sizable Italian , Irish , Portuguese and (more recently) Brazilian populations, has over 350 Catholic yard shrines in a town of about ...
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Edgar Degas, After the Bath, Woman Drying Herself, 1890–95, National Gallery, London. After the Bath, Woman Drying Herself is a pastel drawing by Edgar Degas, made between 1890 and 1895. Since 1959, it has been in the collection of the National Gallery, London. This work is one in a series of pastels and oils that Degas created depicting ...
The Blue Period (Spanish: Período Azul) comprises the works produced by Spanish painter Pablo Picasso between 1901 and 1904. During this time, Picasso painted essentially monochromatic paintings in shades of blue and blue-green, only occasionally warmed by other colors. These sombre works, inspired by Spain and painted in Barcelona and Paris ...
Homme au bain (English title: Man at His Bath) is an 1884 oil painting by French Impressionist Gustave Caillebotte. The canvas measures 145 by 114 centimetres (57 in × 45 in). It was held in private collections from the artist's death in 1894 until June 2011, when it was acquired by the Museum of Fine Arts, Boston .
Bathsheba (or The Toilet of Bathsheba After the Bath) are names given to a c 1480 [1] oil on wood panel painting by the Early Netherlandish artist Hans Memling, now in the Staatsgalerie, Stuttgart. The painting is a rare 15th century depiction of a nude person in Northern Renaissance art; such figures typically only appeared in representations ...
The Turkish Bath (Le Bain turc) is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. [1] The painting depicts a group of nude women at a pool in a harem. [1] It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter.