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The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). [1]
Vanitas (1646) by Philippe de Champaigne. Vanitas, also known as Allegory of Human Life or Still Life with a Skull, is an oil on panel painting attributed to Philippe de Champaigne, from 1646. It is held in the musée de Tessé , in Le Mans, which bought it at a public auction in 1884. [1] [2]
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
The work is a still life in the genre of vanitas, painted with oils on oak panel, and measuring 39.2 by 50.7 cm (15.4 by 20.0 in). [1] Like most vanitas paintings, it contains deep religious overtones and was created to both remind viewers of their mortality (a memento mori) and to indicate the transient nature of material objects. [3]
A typical vanitas still life by van der Meulen is the Vanitas still life with a skull, a guttering candle, a tortoiseshell mirror, a book, a statuette of saint Susanna, and a pack of cards (Sotheby's sale of 10 May 2019, London, lot 287). It contains many of the typical symbols of vanitas paintings.
Other Flemish still life artists were also producing vanitas still lifes on the death of King Charles I for the Dutch market. An example is the Vanitas still life with a poem on the death of Charles I by Godfriedt van Bochoutt (signed and dated 1668, at Bonhams auction of 23 October 2019, London lot 67TP. [15]
Claesz's still lifes often suggest allegorical purpose, with skulls serving as reminders of human mortality. The two men founded a distinguished tradition of still life painting in Haarlem. Pieter Claesz was influenced by the vanitas movement.
Vanitas still life with skull, playing cards, candle and flowers. Vanitas paintings are informed by a Christian understanding of the world as a temporary place of ephemeral pleasures and torments from which humanity's only hope of escape is through the sacrifice and resurrection of Christ. While most of the symbols in Vanitas still lifes ...