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  2. Boombox - Wikipedia

    en.wikipedia.org/wiki/Boombox

    The wide use of boomboxes in urban communities led to the boombox being coined a "ghetto blaster". Some cities petitioned for the banning of boomboxes from public places, and over time, they became less acceptable on city streets. [4] The boombox became closely linked to American hip hop culture and was instrumental in the rise of hip hop music.

  3. Lasonic - Wikipedia

    en.wikipedia.org/wiki/Lasonic

    LASONiC i931 iPod Ghetto Blaster (c.2008) Lasonic is a product model and former trademark [1] [2] of consumer electronics, including boom boxes made from the mid-1980s to mid-1990s by Yung Fu Electrical Appliances based in Tainan City, Taiwan. [3]

  4. Skitronic - Wikipedia

    en.wikipedia.org/wiki/Skitronic

    Dynasty ES-555 Disco-Lite by Skitronic Limited - the ghetto blaster with LED illuminations details. Skitronic Limited is an electronics manufacturer from Hong Kong which made the "Disco Lite" boombox in the mid-1980s under several different names. The company was founded in 1979 and dissolved in 2003. [1]

  5. Ghettoblaster (disambiguation) - Wikipedia

    en.wikipedia.org/wiki/Ghettoblaster_(disambiguation)

    Ghetto Blaster, by The Crusaders, 1984; Ghettoblaster, by Socalled, 2007; Ghetto Blasters, by Mahala Rai Banda, 2009; Songs "Ghetto Blaster", by Teenage Fanclub from Deep Fried Fanclub "Ghetto Blaster", by Bobby Burns and Afrojack, 2009-2010; Other. Ghetto Blaster, a fictitious band on the 2000 compilation album Suitcase: Failed Experiments and ...

  6. Portable stereo - Wikipedia

    en.wikipedia.org/wiki/Portable_stereo

    boombox, sometimes called a "ghetto blaster" This page was last edited on 24 November 2019, at 05:19 (UTC). Text is available under the Creative Commons ...

  7. Radio (LL Cool J album) - Wikipedia

    en.wikipedia.org/wiki/Radio_(LL_Cool_J_album)

    The lyrical themes regarding the culture and the way of life of inner city youth that surface in Radio, including the growing and popular b-boy attitude ("I Can't Live Without My Radio", "Rock the Bells") and teenage promiscuity ("Dear Yvette"), along with LL's "teenage energy", as described by writer Nelson George, helped appeal to a younger music audience and were essential in the album's ...