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The lukewarm reception given that play was, however, nothing compared to the dismal failure of The New Inn; the cold reception given this play prompted Jonson to write a poem condemning his audience (An Ode to Himself), which in turn prompted Thomas Carew, one of the "Tribe of Ben", to respond in a poem that asks Jonson to recognise his own ...
Title page of The Workes of Benjamin Jonson (1616), the first folio publication that included stage plays. Ben Jonson (c. 11 June 1572 – c. 16 August 1637) collected his plays and other writings into a book he titled The Workes of Benjamin Jonson. In 1616 it was printed in London in the form of a folio. [1]
One commentator calls the play a "false start" and a "loose end" in Jonson's canon. [3] The play, however, is strongly dependent upon Classical examples in a way suggestive of Jonson: The Case is Altered borrows plots from two of the plays of Plautus, the Captivi ("The Captives") and the Aulularia ("The Pot of Gold"). The former supplies the ...
Ben Jonson Journal is a biannual academic journal published by Edinburgh University Press in Scotland, in May and November of each year. It was established in 1993. It was established in 1993. It covers the study of Ben Jonson and the culture in which his literary efforts thrived.
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The masque marked the début of the young Prince Charles, the future King Charles I, in the public life of the Stuart Court. Upon the death of his older brother Prince Henry in 1612, Charles had become the heir to the throne of his father, James I; but his youth and relatively poor health (he'd suffered from rickets as a child) kept Charles from assuming the kind of public prominence that ...
— Ben Jonson, The Alchemist (1610). Emerging from Ben Jonson 's late- Elizabethan comedies of humours (1598–1599), the conventions of city comedy developed rapidly in the first decade of the Jacobean era , as one playwright's innovations were soon adopted by others, such that by about 1605 the new genre was fully established. [ 1 ]
Catiline His Conspiracy (1611) is a Jacobean tragedy written by Ben Jonson. It is one of the two Roman tragedies that Jonson hoped would cement his dramatic achievement and reputation, the other being Sejanus His Fall (1603).