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A limited edition two-disc version of the Hairspray soundtrack was released on November 20, 2007, the same day as the film's DVD/Blu-ray release. The 2-disc Collector's edition soundtrack includes the one-disc soundtrack, as well as a second disc featuring additional songs from the film, deleted songs (among them "I Can Wait"), demo recordings ...
Hairspray: Original Broadway Cast Recording is the cast album for the 2002 musical Hairspray.The show is an adaptation of the 1988 film of the same name.It features performances from the show's cast, which includes Harvey Fierstein, Linda Hart, Dick Latessa, Kerry Butler, Clarke Thorell, Mary Bond Davis, Laura Bell Bundy, Matthew Morrison, Corey Reynolds, and Marissa Jaret Winokur as the lead ...
After a successful tryout at Seattle's 5th Avenue Theatre, Hairspray opened on Broadway at the Neil Simon Theatre on August 15, 2002. [8] Jack O'Brien directed the production, which Jerry Mitchell choreographed, with set design by David Rockwell, costume design by William Ivey Long, lighting design by Kenneth Posner, sound design by Steve C. Kennedy, and the show's many distinctive wigs by ...
Category for articles on albums whose cover art is by James Flournoy Holmes. for the category of album cover images by Holmes, see Category:Album covers by James Flournoy Holmes. Pages in category "Albums with cover art by James Flournoy Holmes"
Nirvana’s “Nevermind” album cover was one of the most iconic and recognizable of all time. It helped catapult the then unknown band to worldwide fame in 1991, and the album went on to sell a ...
"You Can't Stop The Beat" is the finale number in the 2002 musical Hairspray. It is sung by Tracy, Link, Penny, Seaweed, Edna, Motor Mouth, Velma, and Amber with Corny and Wilbur as backing singers. It is sung by Tracy, Link, Penny, Seaweed, Edna, Motor Mouth, Velma, and Amber with Corny and Wilbur as backing singers.
Reviewing the film, Dominica Life wrote "It took me a while to warm up to Hairspray. But, when Tracy, Edna and a host of others take to the streets in the great dance number, “Welcome to the 60’s,” I was hooked". [8] Chicago Critic described it as "MoTown revisited". [9]
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