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The Replacements performed for the first time in Spain and Portugal at the Primavera Sound festival on May 28, 2015, [79] and June 5, 2015, [80] respectively as part of a brief European tour. On June 5, 2015, Westerberg announced onstage at the Primavera Sound festival in Porto, Portugal , that it was the band's final show.
The discography of American rock band The Replacements consists of seven studio albums, four live albums, seven compilation albums, five extended plays, 16 singles, and 10 music videos. Formed in Minneapolis , Minnesota by guitarist and vocalist Paul Westerberg , guitarist Bob Stinson , bass guitarist Tommy Stinson , and drummer Chris Mars in ...
The Replacements released a pencil-sketched animation for "Shutup," honoring the 40th anniversary of their 1981 classic Sorry Ma, Forgot To Take Out The Trash. The black-and-white video has a ...
The video was created using extra 1987 footage from the music video for the band's song "The Ledge," also from Pleased to Meet Me. [ 5 ] [ 6 ] The video for "The Ledge," a song written about suicide, was rejected by MTV for "objectionable song content," so the footage was reused in 1987 for another track from the album, " Alex Chilton ."
The Replacements presented as punk, but at heart, their emotional content is more akin to The Smiths than to The Sex Pistols. Fans might be stagediving one moment and crying a little inside the next.
The Replacements’ first and only LP as a Bob Stinson-less trio was largely tracked with producer Jim Dickinson at Memphis’ Ardent Studios, where heroes Alex Chilton and Big Star had recorded ...
A music video for "Alex Chilton" was released in 1987. The video was created by repurposing footage from the music video for the band's song "The Ledge," also from Pleased to Meet Me. [6] [7] The video for "The Ledge," a song written about suicide, was rejected by MTV for "objectionable song content." Extra footage from these films were later ...
"Bastards of Young" is a song written by Paul Westerberg and recorded by his band The Replacements for their fourth studio album Tim (1985). Inspired by Westerberg's sister Mary and the band's feelings of alienation, the song has been described as an "anthem" and features a Who-inspired guitar intro.