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Compared to similarly sized fish, mammals and birds typically have brain sizes fifteen times larger, though some species of fish such as elephantnose fish have very large brain-to-body ratios. However, fish still display intelligence that cannot be explained through Pavlovian and operant conditioning, such as reversal learning, novel obstacle ...
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. [a] It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century.
This he expanded as The Flattered Flying Fish and Other Poems (1962). A selection of his verse appeared in A Puffin Quartet of Poets (1958). [5] For Rieu himself, his poems were a sideline, aimed mainly at children. [8] Rieu wrote the short story "Pudding Law: A Nightmare", included in The Great Book for Girls, published by Oxford University Press.
Left upon a Seat in a Yew-tree, which stands near the Lake of Esthwaite, on a desolate part of the shore, commanding a beautiful prospect. "Nay, Traveller! rest. This lonely Yew-tree stands" Poems of Sentiment and Reflection.(1815–43); Poems written in Youth(1845) 1798 The Reverie of Poor Susan 1797
Watts' poem begins "How doth the little busy bee ..." and uses the bee as a model of hard work. In Carroll's parody, the crocodile's corresponding "virtues" are deception and predation, themes that recur throughout Alice's adventures in both books, and especially in the poems.
His poems can also be seen as lyrical meditations on the fundamental character of the natural world. Wordsworth said that, as a youth, nature stirred "an appetite, a feeling and a love", but by the time he wrote Lyrical Ballads , it evoked "the still sad music of humanity".
Poems of Today was a series of anthologies of poetry, almost all Anglo-Irish, produced by the English Association. [1] [2] Poems of Today (1915, first series)
The Fish is a 1918 poem by the American poet Marianne Moore. The poem was published in the August 1918 issue of The Egoist . Moore's biographer, Linda Leavell, has described "The Fish" as "...one of Moore's best-loved and most mystifying poems" and that it is "Admired for its imagery and technical proficiency". [ 1 ]