Search results
Results From The WOW.Com Content Network
Jazz at the Pawnshop is a multi-session recording made by Gert Palmcrantz on December 6–7, 1976, at Jazzpuben Stampen in Stockholm, Sweden. A pawnshop had operated on the site prior to the jazz club. Proprius Records founder Jacob Boethius produced the album, and it has been issued at least five times under multiple labels and formats.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The song has a characteristic bass line and is set to a funk beat. For the most part, it is built entirely on a two-chord vamp : a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [ 5 ] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey , [ 6 ] [ 7 ] as was one of the keyboard solos.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, [2] his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad. Jones arranged and conducted three recording sessions during September 1956, each with a different line-up, from a nonet to a fifteen piece big band.
The Prophet Speaks received generally positive reviews, with Metacritic giving it 73 / 100, based on 11 reviews. [4] It delivered "excellent songs, expertly rendered", leading The Observer to conclude that "Van Morrison’s current prolificacy clearly hasn’t compromised the quality of his output at all – this is another thoroughly enjoyable mix of vocal jazz and bluesy R&B." [1] Rolling ...
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. Recorded in February 1964, it was released the following year.
So far they have won the Jazz Disc Award five times in Japan. Produced by Takeshi Fujii (producer) and often recorded by the Yoshihiko Kannari, TBM created jazz records by Japanese players since the 1970s and became known for its audiophile sound quality. TBM's records captured a very important, vibrant era in the development of Japanese jazz.
The Beat of My Heart is a 1957 album by jazz singer Tony Bennett.For this Columbia album Tony Bennett had started working with English jazz pianist Ralph Sharon and together they devised this percussion influenced treatment and invited percussionists Chico Hamilton, Jo Jones, Billy Exiner, Art Blakey, Candido Camero and Sabu Martinez to take part; Ralph Sharon was arranger and conductor.