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Milo was the son of the Leudwinus of Trier and Willigard of Bavaria. He was born a nobleman and later styled Count of Trier. [1] His brother was Wido (Gui), Count of Hornbach. [2] Rotrude of Hesbaye was possibly his sister. [1] Lambert of Maastricht was a kinsman. Milo received a monastic education.
He turned the technique of "working at the lamp" to an art form back in 1968, when he opened the Frabel Studio in Atlanta, Georgia. [ 1 ] [ 2 ] At that time crystal glass was not considered a serious art medium and few artists were utilizing the beauty and diversity of glass to create unique art pieces.
Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking. Pieces are often unique, or made in a small limited edition.
With the help of Pino Signoretto, an Italian glass maestro from Murano, Morris developed new techniques that used oxy/propane torches to spot heat specific sections of a piece allowing for the high level of detail that his work is known for. Morris and his team maintained the William Morris Studio, WA, throughout its duration.
Also in 2006 an enclosed garden and glass-blowing studio were added to the complex. The glass studio presents glass working demonstrations to the public and seminars for students of glass. Lynggaard (1930-2011), originally a ceramicist, had lectured in Sheridan College in Oakville, Ontario, where he encountered the studio glass movement.
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Art glass is a subset of glass art, this latter covering the whole range of art made from glass. Art glass normally refers only to pieces made since the mid-19th century, and typically to those purely made as sculpture or decorative art , with no main utilitarian function, such as serving as a drinking vessel, though of course stained glass ...
Tagliapietra was born August 10, 1934, in an apartment on the Rio dei Vetri (which translates litteraly in "glass canal", or more broadly in "glass street" considering the intense use of waterways in the Venetian Lagoon as means for transport of goods and people) in Murano, Italy, [2] an island with a history of glass-making that dates from 1291.