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Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
Many new painting skills or techniques were innovated and developed, calligraphy was much more closely and perfectly combined with the art of painting. Chinese painting reached another climax in the mid and late Ming. The painting was derived in a broad scale, many new schools were born, and many outstanding masters emerged.
Huang Quan (903–965), courtesy name Yaoshu, was a Chinese painter during the Five Dynasties period and the Song dynasty who worked in the imperial painting academies of the Former Shu, Later Shu and Song dynasties. Along with Xu Xi, Huang is considered a founding master of the bird-and-flower painting.
Tian-tsui (Chinese traditional: 點翠, Chinese simplified: 点翠, pinyin: diǎncuì, "dotting with kingfishers") is a style of Chinese art featuring kingfisher feathers. For 2,000 years, the Chinese have been using the iridescent blue feathers of kingfisher birds as an inlay for fine art objects and adornment, from hairpins, headdresses, and ...
Yi Yuanji (Chinese: 易元吉; Wade-Giles: I Yüan-chi) (c. 1000, Changsha, Hunan [1] – c. 1064) was a Northern Song dynasty painter, famous for his realistic paintings of animals. According to Robert van Gulik, Yi Yuanji's paintings of gibbons were particularly celebrated. [2] [3]