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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Spirituals was recorded largely throughout the COVID-19 pandemic, between 2020 and 2021 with lyrics inspired in part by the present time in the US. The album was a nod to the traditional Negro spirituals. [1] She stated: "I called it "Spirituals" because, for me, making this record was my own salvation, really. It was an opportunity to step out ...
Noted as the premier carriers of the Negro spirituals, the Fisk Jubilee Singers were selected in November 2008 as one of nine recipients of the 2008 National Medal of Arts. The award, which is the highest recognition for artistic excellence given by the United States Government, was presented by President George W. Bush and First Lady Laura Bush.
Many popular sources claim that spirituals and other songs, such as "Steal Away" or "Follow the Drinkin' Gourd", contained coded information and helped individuals navigate the railroad, but these sources offer little traditional archival evidence to support their claims. Some scholars who have examined these claims tend to believe that while ...
Spirituals is a studio album by Paul Robeson, recorded in 1945 and released in 1946 on Columbia Masterworks. Robeson was accompanied by Lawrence Brown at the piano.
Songs such as "Steal Away to Jesus", "Swing Low, Sweet Chariot", "Wade in the Water" and the "Gospel Train" are songs with hidden codes, not only about having faith in God, but containing hidden messages for slaves to run away on their own, or with the Underground Railroad.
John Wesley Work Jr. (August 6, 1871 – September 7, 1925) was a musicologist, the first African-American collector of folk songs and spirituals, and also a choral director, educationalist singer and songwriter.
The spirituals were sung with passion and fervour, but the rest was "reminiscent of a familiar pious sermon" in which the words were only intermittently intelligible. [52] Meanwhile, the work had achieved its African debut, where in 1975 Tippett observed a performance with an improvised orchestra which incorporated the Zambian Police Band.