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Accompanying Rush on lead guitar and vocal are Big Walter Horton on harmonica, Red Holloway on tenor sax, Lafayette Leake on piano, Wayne Bennett on second guitar, Dixon on bass, and Al Duncan on drums. [5] "I Can't Quit You Baby" was a vehicle for arranger-producer Dixon to launch Rush and Cobra Records, as it was the first single for both. [3]
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
Writing for AllMusic, critic William Ruhlman wrote of the album: "Al Kooper's finest work, an album on which he moves the folk-blues-rock amalgamation of the Blues Project into even wider pastures, taking in classical and jazz elements (including strings and horns), all without losing the pop essence that makes the hybrid work.
"I Can't Hold Out" has been described as a "jumping 'Dust My Broom' styled number ... that featured Dixon's trademark stop-time arrangement after each verse". [2] After recording the song in April 1960, Chess prepared for a rush release of the single in May 1960, to capitalize on the success of James' previous single for Fire Records, "The Sky Is Crying", which was then entering the Billboard ...
Crusade is the fourth album and third studio album by the British blues rock band John Mayall & the Bluesbreakers, released on 1 September 1967 on Decca Records.It was the follow-up to A Hard Road, also released in 1967.
"You Shook Me" is unique among Muddy Waters' songs – it is the first time he overdubbed vocals onto an existing commercially released record. The backing track for Waters started as an impromptu slide guitar instrumental by blues guitarist Earl Hooker during a May 3, 1961, recording session for Chief Records. [1]
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