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Fictional magic may or may not include a detailed magic system, but it is not uncommon for authors to omit details or explanations of certain limitations, ostensibly for pacing or other purposes; in these cases, it is possible that magic serves more as a convenience to the author rather than as a device for the character. [4]
A fantasy world or fictional world is a world created for fictional media, such as literature, film or games. Typical fantasy worlds feature magical abilities. Some worlds may be a parallel world connected to Earth via magical portals or items (like Narnia); an imaginary society hidden within our earth (like the Wizarding World); a fictional Earth set in the remote past (like Middle-earth) or ...
By contrast, writers like García Márquez, who use magical realism, don't create new worlds, but suggest the magical in our world." [24] In magical realism, the supernatural realm blends with the natural, familiar world. This twofold world of magical realism differs from the onefold world that can be found in fairy-tale and fantasy literature.
She notes that in contemporary fantasy magical elements are often kept secret from most people, and notes the amount of young adult fantasy in the subgenre. In contrast, Sinclair points out that in magical realism "the impossible can occur without comment", and the relationship between reader and narrator may be stronger.
The use of a rare magical herb. [notes 1] A divine figure that reveals the secret of the magical act (Hermes). These are the three most common elements that characterize magic as a system in the later Hellenistic and greco-Roman periods of history. Another important definitional element to magic is also found in the story.
A magic school is an institution for learning magic, appearing in works of fantasy depicting worlds in which magic exists and in which there is an organized society of magicians or wizards who pass on their knowledge systematically. It may also be a school that is magically protected or a Faculty of Magic in a university which also teaches ...
The horn, he explains, is "a magic one, though only modestly so": [12] blowing it brings joy to his friends in arms, fear to his enemies, and it awakens the Hobbits to purify the Shire of Saruman's ruffians. [12] Shippey suggests that Tolkien wished to do the same for England, and notes that with his novels he at least succeeded in bringing joy ...
Renaissance magic was a resurgence in Hermeticism and Neoplatonic varieties of the magical arts which arose along with Renaissance humanism in the 15th and 16th centuries CE. . During the Renaissance period, magic and occult practices underwent significant changes that reflected shifts in cultural, intellectual, and religious perspectiv