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The grounds of Knebworth House near the village of Knebworth had been a major venue for open air rock and pop concerts since 1974. In 1979, veteran promoter Freddy Bannister booked Led Zeppelin to play that year's concerts which took place on 4 August [1] and 11 August [2] after the bandleader of the Electric Light Orchestra, Jeff Lynne, turned down the offer to headline the festival.
The Rolling Stones played in front of an estimated 200,000 at Knebworth in August 1976. In 1979, Led Zeppelin performed at Knebworth for two gigs, their first concerts in the United Kingdom since 1975. The band reportedly played to record crowds in excess of 200,000 people, even though official admission records only list 109,000 people.
Pages in category "1979 concert tours" The following 21 pages are in this category, out of 21 total. ... Knebworth Festival 1979; P. The Police Around the World Tour; S.
Here are a few examples of unforgettable concert moments that shocked audiences, upset fans, or both.
These concerts include the last two nights of their five-concert run at Earls Court Arena in London in May 1975, their show in Seattle's Kingdome in 1977 and their two shows at Knebworth in August 1979. In addition to these, their Royal Albert Hall performance from January 1970 is available.
Niles began her professional singing career, as both a lead and a backing vocalist, in 1979. Throughout her career, Niles has worked with many artists including ABC, Eric Clapton, Kiri Te Kanawa, The Rolling Stones, Annie Lennox, Tears For Fears, Duran Duran, Kylie Minogue, David Bowie, The Police, Take That, Grace Jones, Tina Turner, Paul McCartney, George Harrison, Steve Winwood, Morrissey ...
“Oasis Knebworth 1996” will arrive in theaters around the world on Sept. 23, with ti ... box office record-breaking 1996 U.K. concerts in front of more than 250,000 people at Knebworth, which ...
The root of the disconnect between the number of women on stage and the number of women in the crowd may lie partially in the male-dominated subcultures these festivals were founded out of, as Slate writer Forrest Wickman argued in 2013: “The real problem at most of these festivals lies in the alternative subcultures they celebrate.