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"No Matter What" was written by Andrew Lloyd Webber and Jim Steinman for the 1996 musical Whistle Down the Wind, to be sung by a group of children at the end of Act 1. [3] In the musical, the song is about the naive adoration by the children towards someone they believe to be Jesus, however, for the version recorded by Boyzone, the lyrics have been modified significantly to become a teenage ...
"No Matter What" (Calum Scott song), 2018 "No Matter What" (George Lamond and Brenda K. Starr song), 1990 "No Matter What" (T.I. song), 2008 "No Matter What" (Ryan Stevenson song), 2018 "No Matter What", a song by Aretha Franklin (feat. Mary J. Blige) from So Damn Happy "No Matter What", a song by Jeremy Camp from Beyond Measure "No Matter What ...
Muhammad [a] (c. 570 – 8 June 632 CE) [b] was an Arab religious and political leader and the founder of Islam. [c] According to Islam, he was a prophet who was divinely inspired to preach and confirm the monotheistic teachings of Adam, Noah, Abraham, Moses, Jesus, and other prophets.
Scott describes "No Matter What" as his "most personal song" and the song he is "most proud of". [1] The song tells the story of Scott telling his parents he was gay and their reactions of loving him "no matter what". Scott said "It was a song that I always had to write, and a song I never thought I'd be able to share.
Ash-Shama'il al-Muhammadiyya (Arabic: الشمائل المحمدية, romanized: Ash-Shamāʾil al-Muḥammadiyya, lit. 'Virtues of Muhammad') is a collection of hadiths compiled by the 9th-century scholar al-Tirmidhi regarding the intricate details of the Islamic prophet Muhammad's life including his appearance, his belongings, his manners, and much more.
Before converting to Islam he was a poet, and after converting he started writing Na'ats in honor of Muhammad. [4] His poetry defended Muhammad in response to rival poets who attacked him and his religion. [5] [6] Talaʽ al Badru ʽAlayna is a traditional Islamic poem known as nasheed recited to Muhammad when he moved to Medina in 622 CE. [7]
Under Islamic rule, though forced to live with certain restrictions, Arab Christians such as Al-Akhtal al-Taghlibi or Ibn al-Tilmidh continued to use Arabic for their poetry. However, these poets seldom addressed their personal Christian faith in their works. [15] Other ethnicities under Arab rule adapted Arabic poetry over the coming centuries.
Islamic tradition than posits a third generation of biographers Ziyad al-Buka'i (d. 805), Al-Waqidi (d. 829), Ibn Hisham (d. 218), and Muhammad ibn Sa'd (d. 852). [10] According to Islamic tradition Ibn Ishaq's biography from the early Abbasid period was the most renowned and highly