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The book is about two boys, one black and one white, that meet each other and talk in sentences that have one or two words. The black boy wants to become friends, but the white boy is nervous about making friends. With less than 35 words being spoken between the two of them, they both form a friendship at the end of the book.
Getting to Yes: Negotiating Agreement Without Giving In is a best-selling 1981 non-fiction book by Roger Fisher and William Ury. [1] Subsequent editions in 1991 [ 2 ] and 2011 [ 3 ] added Bruce Patton as co-author.
The rights to the book were held by Lorraine Brooke Associates, a shell corporation set up in the name of Simpson's children. [49] Fred Goldman, Ron Goldman's father, sued the corporation for the book rights in order to help satisfy the $33.5 million wrongful death civil suit judgment against Simpson.
The book's title is a reference to what Bernall's final moments were erroneously reported to have been like. It had been widely reported that shooter Eric Harris had asked Bernall if she believed in God and when she responded with "yes", Harris shot and killed her, though in fact, no such exchange took place. [6]
Yes Day is a 2021 American family comedy film directed by Miguel Arteta, from a screenplay and screen story by Justin Malen, based upon the children's book of the same name by Amy Krouse Rosenthal and Tom Lichtenheld. It stars Jennifer Garner, Édgar Ramírez, and Jenna Ortega. The movie was released on March 12, 2021 on Netflix. It received ...
DVDs for the U.S. market now sometimes have three forms of English subtitles: SDH subtitles; English subtitles, helpful for viewers who may not be hearing impaired but whose first language may not be English (although they are usually an exact transcript and not simplified); and closed caption data that is decoded by the end-user's closed ...
Kids Can Say No! is a twenty-minute [6] British short educational film [10] intended to teach children about sexual abuse. [6] Harris said he was naive about the subject and was motivated to make the film by a female teacher who told him that, when she spoke to her students about abuse, [11] a traumatised girl ran out of the room; the girl later disclosed that she was being abused by a family ...
Sienkiewicz-Mercer used four wordboards to communicate with her staff, friends and the general public. The assistant would hold the boards where Sienkiewicz-Mercer could see them and then point to and speak aloud the word Sienkiewicz-Mercer indicated with her eyes. In this way, sentences, paragraphs and an entire book were created. [5]