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Shen Yun Performing Arts (Chinese: 神韻藝術團; lit. 'divine rhythm arts troupe') is a non-profit performing arts and entertainment company based in the United States which tours internationally, producing performances which include dance and symphonic music.
By far the most familiar to most Westerners is the chau gong or bullseye gong. Large chau gongs, called tam-tams [7] have become part of the symphony orchestra. Sometimes a chau gong is referred to as a Chinese gong, but in fact, it is only one of many types of suspended gongs that are associated with China. A chau gong is made of copper-based ...
Luogu is commonly used as an accompaniment in Chinese opera including Kun opera, Beijing opera and Cantonese opera and accompaniment for lion dance. In Chinese opera, luogu provides the basic rhythmic background for songs, speech, movements, dances and martial arts. It is also played as entrance and exits of actors and transition between scenes.
The book was written by former The New York Times dance critic Joseph H. Mazo was published by William Morrow and Company in 1977. [1] The book details the history of modern dance, starting with Loie Fuller and ending with Twyla Tharp. The book's dust jacket says that "it makes American modern dance comprehensible, approachable, accessible ...
Olga Maynard (January 16, 1913 – December 26, 1994) [1] was a Brazilian-born American writer and educator on theater arts, author of articles and monographs on dance and dancers. Her published books are on ballet, modern dance, opera and the integration of performing arts into general education.
Shield Dance (干舞), performed for military purpose or for the veneration of mountains and rivers. Dance of the People (人舞), performed in honour of the stars or ancestral temples. All the dances involved dancers holding objects such as feather plumes, yak-tails or shield, except the Dance of the People which is focused on sleeve movements ...
The tagungguan consists of six to eight hanging pentatonic gongs. [ 3 ] In addition, the instrumental ensemble consists of a number of medium-sized gongs called mamalala; several small, high pitched, and shallow gongs called pong; one or more tambor (snare drums); and one or more garagara or pandaupan (cymbals).
The Bayanihan Dance Troupe also have created a blueprint or creation of music as a document for some ensembles, including the Philippine Dance Company of Chicago, while other ensembles use gong-chime to accompany dance, or have improvisational creative process like that of other groups in the neo-traditional category. [1]