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The largest gong is ogung boru boru (female gong) and the smaller one is called ogung jantan (male gong), while one smaller gong is called doal and three smaller gongs are named salempong or mong-mongan. Other equipment in Gordang Sambilan is a wind instrument made of bamboo called a sarune or saleot and a pair of small cymbals called a tali ...
Betawi language. The Betawi language, also known as Betawi Malay, is a Malay-based creole language. It was the only Malay-based dialect spoken on the northern coast of Java; other northern Java coastal areas are overwhelmingly dominated by Javanese dialects, while some parts speak Madurese and Sundanese.
In Java, a traditional ronggeng performance features a traveling dance troupe that travels from village to village. The dance troop consists of one or several professional female dancers, accompanied by a group of musicians playing musical instruments: rebab and gong. The term "ronggeng" also applied for this female dancers.
A Pasi gong is a medium-size gong 30 to 40 cm (12 to 15 in) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play ...
Furthermore similar to the Moluccas, regions in West Papua such as the Kokoda people of South Sorong also have Sawat musical tradition in the form of tifa syawat which was a type of tetabuhan, introduced from Kokas in Fakfak, consisting of tifa, gong, adrat, suling, to accompany Kasuari dance, weddings, Mauludan and other events. [10]
The Malay Gamelan (Malay/Indonesian: gamelan Melayu; Jawi: ݢاميلن ملايو ) is a style of music originated from Indonesia, performed in ethnic Malay-populated regions of Indonesia (particularly in North Sumatra, Riau and Riau Islands) and Malaysia (particularly in Pahang, Terengganu and Johor) as well.
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
Vol. 7: Music from the Forests of Riau and Mentawai. Vol. 8: Vocal and Instrumental Music from East and Central Flores. Vol. 9: Vocal Music from Central and West Flores. Vol. 10: Music of Biak, Irian Jaya. Vol. 11: Melayu Music of Sumatra and the Riau Islands. Vol. 12: Gongs and Vocal Music from Sumatra. Vol. 13: Kalimantan Strings.