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Tanjidor is a traditional Betawi musical ensemble developed in Jakarta, Indonesia. [1] This musical ensemble took the form of a modest orchestra and was developed in the 19th century, pioneered by Augustijn Michiels better known as Major Jantje in the Citrap or Citeureup area on the outskirt of Batavia.
The largest gong is ogung boru boru (female gong) and the smaller one is called ogung jantan (male gong), while one smaller gong is called doal and three smaller gongs are named salempong or mong-mongan. Other equipment in Gordang Sambilan is a wind instrument made of bamboo called a sarune or saleot and a pair of small cymbals called a tali ...
The musical instruments used in this dance are a mixture of Betawi, Javanese, and Sundanese. After this dance became a freelance dance, Jakarta used several traditional musical instruments, such as the Rebana Biang, Rebana Hadroh, and Rebana Ketimpring. Thus, Yapong dance is a new creation that departs from the elements of traditional Betawi ...
The Betawi mask dance (Betawi: Topèng Betawi) is a theatrical form of dance and drama of the Betawi people in Jakarta, Indonesia. [1] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [2] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
A Pasi gong is a medium-size gong 30 to 40 cm (12 to 15 in) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play ...
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
It consists of a set of a double row of gong chimes known as the totobuang (similar to set of bonang gong chimes) and a set of tifa drums. It can also include a large gong. [1] The name comes from the instruments' collaboration. The ensemble can accompany the Maluku Island's Sawat Lenso dance. [2] [3]
A medium-sized gong, called kempur, is generally used to punctuate a piece's major sections. Most older compositions do not employ the gong kebyar 's more ostentatious virtuosity and showmanship. Recently, many Balinese composers have created kebyar -style works for gamelan angklung or have rearranged kebyar melodies to fit the angklung ' s ...