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Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century.
Dante and Virgil meeting Sapia in Purgatory, as illustrated by Gustave Doré. Sapia Salvani (Siena, c. 1210 – Colle di Val d'Elsa, c. 1278) was a Sienese noblewoman. [1] In Dante Alighieri's Divine Comedy, she is placed among the envious souls of Purgatory for having rejoiced when her fellow Sienese townspeople, led by her nephew Provenzano Salvani, lost to the Florentine Guelphs at the ...
The change happened at about the same time as the composition of the book Tractatus de Purgatorio Sancti Patricii, an account by an English Cistercian of a penitent knight's visit to the land of Purgatory reached through a cave in the island known as Station Island or St Patrick's Purgatory in the lake of Lough Derg, County Donegal, Ireland. Le ...
According to a tradition recorded by early commentators of the Divine Comedy, Pia de' Tolomei is identified as "la Pia" in Canto V of Purgatorio. In this canto, Dante and Virgil encounter souls who repented at the time of their violent deaths and now reside in the second division of Ante-Purgatory, which is at the base of the mountain of Purgatory. [1]
Virgil and Dante meet Belacqua, Holkham manuscript at the Bodleian. Belacqua is a minor character in Dante Alighieri's Purgatorio, Canto IV.He is considered the epitome of indolence and laziness, but he is nonetheless saved from the punishment of Hell in Inferno and often viewed as a comic element in the poem for his wit.
Eunoe [needs IPA] (Italian: Eunoè; Ancient Greek: Εὐνοη, romanized: Eúnoē) is a feature of Dante's Divine Comedy created by Dante as the fifth river of the dead (taking into consideration that Cocytus was described as a lake rather than a river).
The legend of St Patrick's Purgatory (Tractatus de Purgatorio Sancti Patricii) written in that century by Hugh of Saltry, also known as Henry of Sawtry, was "part of a huge, repetitive contemporary genre of literature of which the most familiar today is Dante's"; [45] another is the Visio Tnugdali.
While scholars have thus far not provided a history of the Anima Sola (or Ánimas del purgatorio in Spanish), [citation needed] the practice of praying for the souls in purgatory extends at least as far back as the Council of Trent in which the following was determined: