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The ancient Etruscans developed an eight-day market week known as the nundinum around the 8th or 7th century BC. This was passed on to the Romans no later than the 6th century BC. As Rome expanded, it encountered the seven-day week and for a time attempted to include both. The popularity of the seven-day rhythm won, and the eight-day week ...
"Eight Days a Week" is a song by the English rock band the Beatles. It was written by Paul McCartney and John Lennon based on McCartney's original idea. [2] It was released in December 1964 on the album Beatles for Sale, except in the United States and Canada, where it was first issued as a single A-side in February 1965 before appearing on the album Beatles VI.
A fragment of the Fasti Praenestini for the month of Aprilis, showing its nundinal letters on the left side The full remains of the Fasti Praenestini. The nundinae (/ n ə n ˈ d ɪ n aɪ /, /-n iː /), sometimes anglicized to nundines, [1] were the market days of the ancient Roman calendar, forming a kind of weekend including, for a certain period, rest from work for the ruling class ().
An eight-day week was used in Ancient Rome and possibly in the pre-Christian Celtic calendar. Traces of a nine-day week are found in Baltic languages and in Welsh. The ancient Chinese calendar had a ten-day week, as did the ancient Egyptian calendar (and, incidentally, the French Republican Calendar, dividing its 30-day months into thirds).
The Beatles: Eight Days a Week—The Touring Years grossed $2.9 million in the U.S. and Canada and $9.4 million in other territories, including $1.4 million in the UK, for a worldwide total of $12.3 million. [1] In the film's opening weekend in North America, it made $785,336 from 85 theatres, for an average of $9,239. [8]
Eight Days to Live is a 2006 television film produced by CTV about a mother who organizes a search and rescue for her son who drives off the road in the Lytton area of the Fraser Canyon of British Columbia. It is based on the true story of nineteen year old Joe Spring who spent eight days trapped inside his red sports car.
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On Rotten Tomatoes the film has an approval rating of 20% base on reviews from 10 critics. [1]Emanuel Levy wrote: "A highlight of 1997 Slamdance Film Fest, this raunchy romantic comedy has a nice premise—a Romeo who won't take no as an answer--but no narrative or plot to speak of, though two leads are charming and Keri Russell shows potential to become a star."